A Few Publications and a Performative

A little updating. The most recent issue of Prick of the Spindle includes two of my poems and a host of edgy, poignant stuff. The poem that mentions Tunguska is a poem that I've revised substantially every two years for about six years. The other one is about the razed St. Thomas housing projects in New Orleans that is now a particularly useless Walmart.

Also, a poem of mine will be forthcoming in The Colorado Review, either this fall or in the spring.

My first essay publication, dealing with my favorite topic--professional wrestling, will appear in this fall's Louisville Review. It mentions suplexes in a swimming pool, the retirement of Ric Flair, and Shawn Michaels at a house show in Baton Rouge.

One interesting thing I've been reading about is the supposedly performative aspect of poetry, a proposition based in reaction to/against Austin and Searle's speech act theory. In Austin's posthumous work, How to Do Things with Words, he describes a number of performative utterances, i. e. words that enact what they say. Examples would include naming ("I hereby name this boat the Mademoiselle Fazie."), loving ("Duh I love you."), and betting ("I bet you that more people will attend a Cajun party than a party in the USA."). One notable act Austin puts aside is poetry. If an apparent speech act arrives in a poem, you can bet that Austin would consider it "false." Searle prefers to call it "pretend." While speech act theory is actually as old as the desert fathers, if not older, Austin's presentation had its value, namely in a type of codifying of the phenomenon and an introduction of the topic to nonCatholic audiences. The ommission of poetry by him and subsequently by Searle, though, is shortsighted.

I propose that poetry itself be considered a type of speech act, albeit one that takes a bit more preparation than either christening or gambling. One thing that it does not need more of is convention. Speech acts are only felicitous or successful, as Austin tells us, when done according to certain socially defined conventions. Likewise, poetry does not operate well too far from conventions, especially if one considers that language is a huge set of historically determined conventions.

What poetry does not do is pretend. As my professor for my Theory of the Lyric course, Jonathan Culler, asks, what would Keats be pretending to do when he addresses the wind in "Ode to the Western Wind?" Although I'm not sure what he is really doing, let alone pretending to do, I can wager a guess. In the act of his poem (whether the reading or presentation of it, and I err on the side of reading here), the poem enacts its own creation, specifically the creation of a world where it is appropriate to apostrophize the wind or exist in surreality or experience the sublime. This might stretch the definition of poetry a bit, but why not?

OK, enough poetics for today. Maybe tomorrow you will get rap.

Return, return

Alright, so now it is time to get a summer schedule started. I begin intern/teaching not this Monday but next. It will be The Moviegoer not No Place, Louisiana due to difficulties locating enough copies. I think a reissued edition will come out next year, which you can buy then. It is really an amazing, troubling, and quiet novel. Luckily, so is The Moviegoer, and may be more relevant to the course title ("Natives and Strangers") due to the strangeness of being a native.

My wrestling essay will make it into the pages of The Louisville Review this fall under the title "The Thrill of Choreographed Violence." Turns out it wasn't as autoportraity as I thought and is now more streamlined thanks to the wonderful guest creative nonfiction editor there. Linda and I got the chance to watch the Extreme Rules PPV live in New Orleans. If there was any doubt in my mind that wrestling is a perfect entertainment form, I believe it now.

This blog is rather aimless, but after visiting Louisiana this last week, I've finally decided what I want to do, what I want to really do. Linda and I are going to snag some PhDs if we can at Cornell and return to the bayou. There, we will create opportunity, not only for us, but for people in Barataria who right now can basically chose between offshore, the shrimpboat, or moving. And so it will be a private institution. Linda will run a school (I mean K-12, private, full imaginative education curriculum), and I'm going to run a cultural center. This will encompass and make possible a lot of my father's ambition (he wants a genealogical/Chauvin culture/Cajun industrial museum on Bayou Petit Caillou) in addition to mine. Hopefully one day it will be a think tank style institution that can do everything from granting postdoctoral ethnology fellowships to summer internships to coastal erosion and agricultural sustainability awareness to educating tourists and locals alike on the varieties of life in Southern Louisiana. In essence, if anything else, you'll see that here.

I'm back in Ithaca, but I realize that my heart's in Chauvin. And it will always be there.

Beginning again and again

First, I would like to apologize. I have been away, both from writing and reading blogs. The demands of the MFA program and my own sanity have definitely taken their tole on the exhilaration of instantaneous publication. But here I am, for how long who knows!

To find the ruination in these blogposts will definitely be more esoteric work than before, as my main research interests are now eroticism, Cajana, and professional wrestling. Welcome to grad school, thank you for making my interests as schizophrenic as a Facebook account.

Right now, I am in the midst of working on portrayals of mystical jouissance and female sexual experience in the films of David Lynch and Peter Greenaway. So yes, I have come around to not only reading but kind of liking Lacan. You may get some psychobabble out of me now. And my writing may no longer make sense.

As for professional wrestling, I am preparing an essay called "Autoportrait with Choreographed Violence," hopefully for publication soon. I am quickly becoming a wrestling historian and have even turned the Ivy League establishment on to chair shots, DDTs, color commentary, and, especially, cutting promos. If I keep this blog up, it may be observations working out my feelings and connections to "sports entertainment."

I begin teaching courses at Cornell in June. The summer deal is a course about Natives and Strangers (a Freshmen writing seminar). I think I somehow conned the course leader into letting me teach my portion (it is a complicated learning to teach but still teaching internship of sorts) on Cajun literature. So if I can find a bulk supply of the amazing but out-of-print No Place, Louisiana, I'll be teach Martin Pousson. In the fall, I teach Mystery in the Story, which I will be able to design to include neo-noir films, Thomas Pynchon, Umberto Eco, Slavoj Žižek, and horror fiction. Needless to say, I am pretty much happy with this assignment.

Ithaca's cutting out of winter finally. I've been writing decently, I think. So there's that as well. Next time I post, it will be a post of some substance. And probably about the squared circle.

Prodigal Blog

I haven't posted anything since the end of my tenure as a Fulbright in Moncton, but I guess it is time to refigure my blog to accommodate that change. Here is the relevant personal information:

On June 20th I married my lover, Linda Rigamer, in New Orleans. Three days later we drove across the country to our new home in Ithaca, New York. We've been here since.

Now I am living through summer with new interests and old projects. I am working on translating some Acadian poetry for The New Orleans Review. I am working on revising Evangeline. Considering writing the third part. "Studying" professional wrestling as a cultural and significant art/entertainment spectacular. Considering how I can integrate that in poetry and/or everyday life. Considering watching The Dark Knight again. Every night this week. Until it closes. Cooking often. Figuring out what to do with a dearth of closets. Being either with my wife or alone.

Busy enough. Orientation for Cornell will start on the 25th of August, so as much as I want/need a job, options for a month long job are limited at best in tiny Ithaca.

So what of my blog? I had a reasonable idea with the cultures of Acadie and Cajana in their present form as a demonstration of Ruin Value. Although I am sure I didn't express that except cursorily. That's saved for my poetry and life. But of course, ruin can be applied to anything. The evolution of revolutionary democracy to today's circus of politics. Poetry as demassified and worthless cultural relic. The shift from long, boring scientific wrestling bouts to the high-flying sports entertainment/totem worship ceremony of today.

These things and more, friends and citizens.